The final scene of Bryan Singer’s The Usual Suspects acts as the resolution of the question “Who is Keyser Söze?”, a question asked all throughout the film, by all including the criminals accomplices and the FBI agents who have been desperately looking for him. No scene shows such intensity and closure than the twist ending, which finally answers this question. The main FBI agent on the case is sitting in his office, drinking coffee, and then all of a sudden there begins slow zoom-ins to his face and the newspaper clippings and police reports on the bulletin board. This occurs while simultaneously repeating snippets of Kevin Spacey’s character, Verbal Kint, saying everything that his character has been discussing in conversation with the FBI agent throughout the film. The audience then sees through the editing that Kint had fabricated an entire story based on topics and words he saw on the bulletin board. The edit increases the pace and creates tension with it's quick cuts back and forth, to previous scenes in the film and the FBI agents face while the agent puts the pieces together and realizes the answer for the biggest question of all: “Who is Keyser Söze?” The relationship between the sound and images is key to this scene with the monologue that can be heard on screen and the quick shots that follow each of the words said in it. The cuts are smooth and quick, which is necessary for the viewer to be able to follow the thought process of the FBI agent. Finally, Singer gives the audience a long take when it cuts to Spacey’s character in real time. We then see the character drive away and dissapear right as the FBI agent is looking for him, with a soft, playful score in the background.
Wednesday, December 17, 2014
Friday, December 12, 2014
"Becoming Robot"- Extra Credit Blog
The exhibit “Becoming Robot”
featuring the works of Nam June Paik was very interesting. For an artist of his time, his works were
very advanced and expressed concepts of technology in life that remain true to
this day. I thought his incorporation of
televisions was a really unique idea. I
have never thought of televisions or screens as an art or an object that could
be displayed as one. I also noticed how
he managed to show the human form in his work a few times. Using televisions to create robots, which
display the human form, in Family of
Robot was something I had never heard of before or even imagined to be a
thing. Creating the form of a typical
family out of something so common was a nice twist on his robot idea. Although, Family
of Robot was a lot more visually appealing than Robot K-456, the fact that Paik was able to create a functional
robot that acted as a human, by even “defecating”, is amazing. Robot
K-456 is a perfect example of how Paik’s work constantly portrayed the
human form.
Thursday, December 11, 2014
Final Project Overview
"No Luck Plug" is a short film about one college student's struggle to find an outlet before her iPad dies during her study session. The student searches and searches without succeeding in her efforts and clearly gets upset. This movie follows the student's thoughts as she deals with her unsuccessful search, which helps emphasize the annoyance she feels. This movie was influenced by my very own constant experience with the exact issue, especially in the Hunter library.
This was a first time experience for me, in having the make a fiction movie with storyboards. The process of making this project was a bit difficult at times, with rushing against the clock to shoot all the footage and having to play around with different editing ideas. The fact that we had to make storyboards helped a lot with putting all the scenes in order at the beginning of editing, it was a really good template for how the final product should look.
These are photos of the storyboards:
This was a first time experience for me, in having the make a fiction movie with storyboards. The process of making this project was a bit difficult at times, with rushing against the clock to shoot all the footage and having to play around with different editing ideas. The fact that we had to make storyboards helped a lot with putting all the scenes in order at the beginning of editing, it was a really good template for how the final product should look.
These are photos of the storyboards:
Script:
Shot 2: "OK, time to study."
Shot 3: *ding*
Shot 5: "Oh, great!" (sarcastic tone)
Shot 9: "Ugh! Now I have to get up." (annoyed tone)
Shot 11: "Are you kidding me!?"
Shot 12: *sigh*
Shot 14: *sigh*
Shot: 21: "Come on!"
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